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发表于 2008-4-20
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Spitfire Audio HZ03 London Soloists KONTAKT
长期的汉斯合作者和打击乐传奇弗兰克·里科蒂（Frank Ricotti）扮演了十年来重磅惊魂的打击乐器和风格的最终选集。第3卷完成了Hans Zimmer打击乐项目，并提供了一系列独特的独奏乐器，为这个史诗系列提供了增添的叮咬，细节，重点，清晰度和细微差别。汉斯喜欢比任何其他的更安静的层次，而如弗兰克所说的那样，“Twat it”层可以让你轻而易举的惊喜，低层可以提供巧妙的滚球计划，帮助您勾选提示。
以各种方式演奏的乐器包括：Bucket, Snare, Crusher, Paper Djun, Tombek, Dohl, Darbuca, Surdu, Darbucket.。
汉斯·齐默尔（HANS ZIMMER）是他一代最成功，最有影响力和多产的电影作曲家之一。获得了无数奖项。 HZ的配乐强调了一代巨大成功的电影，已经超过数十亿美元，无数奖项和赞誉。汉斯不仅定义了一种组合风格，而且也影响了一代作曲家的制作方式和声音创新。
Spitfire Audio很高兴和荣幸地介绍由Hans Zimmer和他的钻石级团队获得杰出贡献的工程师，音乐家和技术人员制作的一系列产品。汉斯·齐默（Hans Zimmer）的声乐创作风格方式经常被复制或仿效，我们很自豪地向世界各地展示了HZ对电影敲击制作的开创性方法。这并不是他的做法的模仿或综合，而是娱乐。同样的工作室，音乐家，乐器，信号链和有才华的工程师，坐在十年的经验，创新和细化的监督在汉斯本人的每一个细节。同样令人难以置信的细节，完美，但最重要的是可调整和定制的无尽选择，你会期望这样一个装饰精美的声音。
特征
在空气工作室通过令人印象深刻的信号链录制。 96个稀有的麦克风，分布在Neve Montserrat前置放大器中，这是世界上最大的Neve 88R桌面（在每个动态层都被彻底地重新获得了最佳信号质量），通过双链路连接到运行在192k的HDX和Prism转换器。超过30 TB的原料来自这些会议单独。
伦敦独唱会的特色是Frank Ricotti;汉斯·齐默(Hans Zimmer)的手选中了打击乐军团，对十年来的音乐实验和创新进行了精馏。这不是模仿在角斗士，黑鹰，黑暗骑士和初期的电影中探索的技术。这是一个真实的娱乐。这个图书馆完美地融合了集合体积（＃1），但是许多用户喜欢这个音量以用于详细的电影敲击部件。汉斯喜欢安静的命中，所以特别细节已经被赋予了较低的动力，让人感到有趣和充满生机和人性的模式。
如第1卷所述，麦克风对声音产生巨大的影响，所以这个音量也包括格莱美和奥斯卡获奖作曲家/制片人/工程师在立体声中混合的数字麦克风位置（如下所述）：Hans Zimmer，艾伦·梅森和杰夫·福斯特。
我们记录了以下鼓和表演，每个打击最多可以有9个循环赛和6个动态层，Air Studios通过最好的麦克风，最好的Neve前置放大器，通过棱镜AD转换器，以196k 32位浮动（我们的SRC为24bit，48k）。
原文
Long term Hans collaborator and percussion legend Frank Ricotti plays the definitive anthology of percussion instruments and styles developed over ten years of blockbuster score making. Volume 3 completes the Hans Zimmer percussion project with a beautiful selection of solo instruments that offer added bite, detail, focus, clarity and nuance to this epic series. Hans loves the quiet layers more than any other so whilst, as Frank would put it, the "twat it" layers give you the bitey thunder you'd expect, the lower layers offer up the potential for engaging delicate drum programming to help tick your cues along.
Instruments played in a variety of ways include: Bucket, Snare, Crusher, Paper Djun, Tombek, Dohl, Darbuca, Surdu, Darbucket.
HANS ZIMMER is one of the most successful, influential and prolific film composers of his generation. Having won countless awards (including an Oscar accompanied by an embarrassment of academy nominations). HZ's scores have underscored a generation of hugely successful films, that have turned over billions of dollars, countless awards and critical acclaim. Hans has defined not only a compositional style, but also production approach and sonic innovation that has influenced a generation of composers.
Spitfire Audio are delighted and honoured to present a series of products produced by Hans Zimmer and his diamond class team of grammy winning engineers, musicians and technicians. Where Hans Zimmer's style approach to sonic creation is often copied or emulated we're proud to present to the world at large HZ's definitive take on his trailblazing approach to cinematic percussion production. Herein lies not an emulation or synthesis of his approach, but a recreation. The same studio, musicians, instruments, signal chain and talented engineers, sitting alongside a decade of experience, innovation and refinement overseen in every detail by Hans himself. The same excruciating attention to detail, perfection but most importantly the endless choice for tweakability and customisation you'd expect of such a well decorated sound-smith.
FEATURES
Recorded at Air Studios via an impressive signal chain. 96 rarefied microphones, into Neve Montserrat pre-amps, the world's biggest Neve 88R desk (which was exhaustively re-gained at every dynamic layer for optimum signal quality), via a dual chain to HDX and Prism converters running at 192k. Well over 30 TB of raw material from these sessions alone.
The London Solos sessions features Frank Ricotti; the cream of Hans Zimmer's hand picked percussion corps playing a distillation of a decade's worth of musical experimentation and innovation. This is not an imitation of techniques explored in films including Gladiator, Black Hawk Down, The Dark Knight and Inception. It is a truthful recreation. This library perfectly blends with the ensembles volume (#1) but many users favour this volume for detailed cinematic percussion parts. Hans loves the quiet hits, so special detail has been afforded to the lower dynamics, for intriguing and engaging patterns full of life and humanity.
As proven in Volume 1 where you put the mic makes a huge difference to the sound, so this volume too consists of a number microphone positions (as detailed below) mixed in stereo by Grammy and Oscar winning composer/producer/engineers: Hans Zimmer, Alan Meyerson and Geoff Foster.
We have recorded the following drums and articulations each with up to 9 round robins and 6 dynamic layers per hit, at Air Studios through the finest microphones, the finest Neve pre-amps into the Neve 88R desk via prism AD converters at 196k 32 bit floating point (which we have SRC’d to 24bit 48k).
GUIS
THE OVERVIEW PANEL
Gives you a quick and easy way to access, view and load the different articulations, mic mixes and essential controller functions which you can then re-assign to suit your workflow.
GENERAL CONTROLS PANEL
A deeper but still simple UI panel that allows you to tweak the general settings. How many round robins you would like and how you would like them to behave. How would you like memory to be organised alongside pitch options and how velocity works.
Spitfire Audio HZ03 London Soloists KONTAKT | 13.3 GB
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