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发表于 2007-1-23
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爱科技|AKG C414 XLII/ST 大振膜话筒套装' H5 f M# d) I7 t/ n, M- g
n% H; F5 W' b: c+ g7 AA Matched Pair of Ultra-versatile Condenser Mics!
0 b+ c; K: V5 Q3 p/ C) qFrom the leading broadcast facilities world-wide to the recording studios and the performance stages that have hosted the top musical artists of all genres for more than 60 years, the AKG C 414 multi-pattern condenser microphone needs little introduction. There are few microphones that are as widely accepted as a de facto part of any professional engineer&＃39;s mic locker as this famous microphone. Now, you can own a matched pair of C 414 XL IIs at an affordable price with the C 414 XL II/ST bundle.
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0 W X4 ]+ t% X+ WThe C 414 XL II/ST stereo condenser microphone matched pair bundle contains two C 414 XL IIs that have been selected from thousands of individual microphones and hand tested to for sensitivity characteristics that lie within 1dB of one another throughout the range of 300Hz to 8kHz in cardioid mode. They come with a full accessory kit that includes a pair of shock mounts, a stereo bar, two foam windscreens, and hardshell carrying case. You also get a copy of your microphones&＃39; performance charts to verify their matched performance characteristics.
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7 M" U$ T* M$ F) r$ \: V2 AThe C 414 XL II (the successor of the famous C 414 B-TL II) differs from the C 414 XLS by offering a slight presence boost and by providing the spatial reproduction capability of the legendary AKG C 12 microphone. This characteristic response and spatial detailing makes lead vocals and solo instruments stand out, even in a densely packed mix. This signature up-front sound is also excellent for distant miking applications making the C 414 XL II ideal for classic music recording or drum ambience miking. And because of its 9-pattern design, leading-edge technology, state-of-the-art components, and reference-quality results, the AKG C 414 XL II ushers in a new standard in microphone versatility./ P$ u0 [. e( N# A6 y" |1 w; V0 P
4 P% D: t6 J+ J K3 DThe C 414 XL II offers nine pickup patterns which enable you to choose the perfect setting for every application. In addition to the five patterns traditionally offered by the C 414 (omnidirectional, wide cardioid, cardioid, hypercardioid, and figure eight), you also get four intermediate settings that let you dial in the best pattern to suite your environment. It also features an astoundingly low noise floor and a 152dB dynamic range, making the C 414 XL II ideal for any musical environment. A locking mode allows you to disable all of the C 414 XL II&＃39;s controls for live-sound applications and permanent installations, and a special "Peak Hold" LED displays even shortest overload peaks.
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AKG C 414 XL II/ST Matched Pair of Multi-pattern Condenser Microphones Features at a Glance:5 ?* S0 [& t7 y8 x
0 N6 O9 g- e8 s( u9 _ @, DOmni, wide cardioid, cardioid, hypercardioid, figure eight, and four intermediate pickup patterns
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3 J0 [* L" N+ X- c) OLock Mode disables all controls easily for live and installation use
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, B! k( B: H* \, Y: V# r3 lIncredible Dynamic Range of 152 dB& [, A% z0 Z& L- D3 h3 w8 a" F& w
' X/ a" M0 @* K7 fThree different bass cut filters and three pre-attenuation levels
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Peak Hold LED even detects shortest overload peaks/ R' s4 W' I, q' @. ?% U) {
* u; m" Q' j; r6 Q5 N0 g: yPaired using AKG&＃39;s sophisticated computer-aided matching method9 e) K! h) V7 `# F/ _5 v/ U$ P
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Highest possible correlation over the whole frequency range and virtually identical sensitivity
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: M r1 C; v: NIncludes carrying case, two windscreens, a stereo bar, and two spider-type shock mounts
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Frequency range: 20 to 20,000 Hz) N0 L1 w! z% w6 m
' d& [0 A4 C$ X. o' M' b; WSensitivity: 20 mV/Pa (-34 dBV) +/-0.5 dB; C: K5 D) g5 h1 r9 e
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Max. SPL: 200/400/800/1600 Pa = 140/146/152/158 dB (0/-6/-12/-18 dB) for 0.5% THD0 N5 V4 t" _/ d# C& y8 Y
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Equivalent noise level: 6 dB-A (0 dB preattenuation) (IEC 60268-4)4 e- a, V8 z4 s3 S. L/ i$ F% j4 t" Y
0 |6 }. u; N4 a' Y5 E$ [Signal/noise ratio: 88 dB
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Preattenuation pad: 0 dB, -6 dB, -12 dB, -18 dB, switchable
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* R# K! q# m+ Y! w: V8 ]6 OBass cut filter slope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz2 q& W8 I# n _; R
: Q$ K& D4 t9 y3 Y# bImpedance: <=200 ohms. W" o- @; m. c; J3 k- x- p/ T
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Recommended load impedance: >= 2,200 ohms4 {! g' Z* {: H# U4 h
. n$ J# F, I8 U$ p4 xSupply voltage: 48 V phantom power to DIN/IEC* ?) ~1 ]( |8 H) \1 p
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Powering: approximately 4 mA
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! v) Q: Q) O- E( Z8 E8 vConnector: 3-pin XLR to IEC
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Dimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.), d/ P( i* o, S/ I
, D! T2 E. w. Z' FNet weight: 300g (10.6oz.)
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For versatile stereo miking, get the AKG 414 XL II/ST!+ x8 n0 v/ r$ J2 `
Tech Specs| Microphone Type | Condenser | | Mono/Stereo | Stereo Pair | | Polar Pattern | Omni, Wide Cardioid, Cardioid, Hypercardioid, Figure-8 and 4 Intermediate Settings | | Diaphragm Size | 1" (25.4mm) | | Frequency Response | 20Hz-20kHz | | Max SPL | 140dB SPL (0.5% THD); 158dB SPL w/18dB Pad | | Output Impedance | 200 ohms | | Signal to Noise Ratio | 88dB | | Self Noise | 6dB-A (0dB preattenuation) (IEC 60268-4) | | Low Cut Filter | 40Hz and 80Hz, -12dB/octave; 160Hz, -6dB/octave | | Pads | -6dB, -12dB, -18dB | | Color | Dark Grey/Gold | | Connector | XLR | | Weight | .66 lb. (per mic) | | Included Accessories | Shockmounts, Windscreens, Stereo bar, Aluminum carry case |
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